As a target of religious worship, the golden bronze Buddha statue has the following three characteristics:
The first is its religious nature. The Buddha statue reflects the solemn, sacred and compassionate spirit of Buddhism. Therefore, in the production of styling, it must strictly follow the Buddhist doctrines, that is, the imagery rules. This determines the shape of the statues of Buddhism, Bodhisattva, Lohan, Ming Wang, Dafa, and Zu Shi in Buddhist statues.
The second is its sociality. If a statue is to be worshipped, it must be closely related to the real society. In different eras, in order to let people understand and accept the spirit of Buddhism, it is necessary to cater to the aesthetic tastes of different eras. This makes the Buddhist statues of various eras reflect their distinct characteristics of the times.
The third is its artistry. Whether it is religious or social, it must be processed by artistic means to be reflected. Therefore, the gold and bronze statues must be appreciated and identified from the three aspects of modeling, age and craftsmanship.
The golden bronze Buddha statue is one of the Buddhist statue art. Among the ancient Chinese sculptures, Buddhist sculptures occupy an extremely important position, which is related to the prevalence of Buddhism in the whole society and its influence on social development. Buddhism was introduced to China from the Eastern Han Dynasty and has a history of more than 2,000 years. Since Buddhist teachings can play a role in the spiritual control of the people, they have been strongly advocated by the rulers of all ages.
The bronze statue of the Ming Dynasty was rich in appearance, with long eyebrows, high nose, thin lips, wide forehead, drooping ears, and solemn expression without losing its softness. The body is relatively well-coordinated, the clothes are light and close, the lines flow softly, and the pleats turn freely. Bodhisattva has a wide waist and a thin waist. The body is graceful and graceful. It is S-shaped, and the pipa and accessories are sophisticated. The leaves of the crown are hollowed out, and the middle leaves are in the shape of a crescent moon. The pedestal is a beam-shaped rosette, which has a wide shape and a wide width of the lotus petals. The edges of the clothes are engraved with fine patterns. The edges of the rosettes have a bead pattern for one week, the lotus petals are rounded, the bottom is rolled outwards, the golden water is colored, and the yellow red is the standard color of the Ming Dynasty. The legs are slightly oval-shaped, and the dresses and armor are more realistic.
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